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<url>
<loc>https://homegrown.co.in/homegrown-supply/richa-baisa-wants-south-asian-jewellery-to-be-weird-playful-a-tad-more-unapologetic</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-06/p4kj2buu/RB1.png</image:loc>
<image:caption>From grillz and serpent-shaped waist chains to chokers and unconventional body jewellery, founder Richa Chandak works with Jaipur-based karigars to reinterpret familiar forms through a playful, sensual and modern lens.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
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<news:publication_date>2026-10-06T08:00:00.000Z</news:publication_date>
<news:title>Richa Baisa Wants South Asian Jewellery To Be Weird, Playful, &amp; A Tad More Unapologetic</news:title>
<news:keywords>Richa Baisa, South Asian jewellery, Indian heritage, bold designs, Jaipur karigars, maximalist style, contemporary jewellery, sensual designs, body jewellery, traditional craft, Naagmayi collection, grillz jewellery, serpent waist chains, anti-aesthetic, self-taught designer, Richa Baisa jewelry, Richa Baisa jewelry India, Contemporary South Asian jewelry, Contemporary Indian jewelry, Contemporary Indian jewelry brands, Statement, Indian jewelry brands, Modern Indian jewelry brands, Maximimalist Indian jewelry brands, Maximalism in jewelry, maximalist Indian jewelry, Modern Indian jewelry brand, Waist chains, grillz, rings, statement rings, earrings, nail rings, Nail jewelry, Nail jewelry, India, Indian jewelry brands to look out for, Best Indian jewelry brands, Unique, Indian jewelry brands</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/im-still-a-dyke-mrudulas-new-zine-depicts-the-alienation-of-growing-up-queer</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-06/26elgr19/dyk2.png</image:loc>
<image:caption>Drawing on her childhood in a small town in India, the zine follows an animalistic hound through a surreal landscape shaped by memories, fear, anger, and the search for community.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-06/sghzouqk/dyk1.png</image:loc>
<image:caption>'I'm Still A Dyke' by Mrudula K</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-02/jpbiiehl/dyk2.png</image:loc>
<image:caption>'I'm Still A Dyke' by Mrudula K</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-02/s8pns6dy/dyk5.png</image:loc>
<image:caption>'I'm Still A Dyke' by Mrudula K</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-06T08:00:00.000Z</news:publication_date>
<news:title>‘I’m Still A Dyke’: Mrudula’s New Zine Depicts The Alienation Of Growing Up Queer</news:title>
<news:keywords>queer identity, Mrudula zine, gender exploration, homophobic environment, chosen family, visual storytelling, non-binary, queer resilience, animal symbolism, memory and home, illustration practice, queer-coded monsters, cultural archives, visual poem, expressionism, Mrudula K, Mrudula K Artist, Mrudula K illustrator, Mrudula K illustrator Mumbai, Mrudula K illustrator London, Mrudula K I am still a Dyke, Mrudula K I am still a yke zine, Mrudula K zines, Mrudula K projects, queer art, Queer artists, Queer zines, queer art from India, South Asian queer art, South Asian queer artists, South Asian queer zines, Frankenstein, Frankenstein queer coded, queerness and monstrosity, queer monsters</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/jobs/hghires-social-media-intern-culture-and-content</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/import/book/12060-tqtecrbnqh-1587648027.jpeg</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T12:51:32.469Z</news:publication_date>
<news:title>#HGHires: Social Media Intern: Culture and Content</news:title>
<news:keywords>Careers</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/jobs/hghires-digital-editor-editorial-and-culture-lead</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/import/book/12060-tqtecrbnqh-1587648027.jpeg</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T12:46:52.226Z</news:publication_date>
<news:title>#HGHires: Digital Editor - Editorial and Culture Lead</news:title>
<news:keywords>Careers</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/jobs/hghires-social-media-manager-culture-and-content</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/import/book/12060-tqtecrbnqh-1587648027.jpeg</image:loc>
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<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T12:43:30.477Z</news:publication_date>
<news:title>#HGHires: Social Media Manager: Culture and Content</news:title>
<news:keywords>Careers</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/shrobona-das-photographed-the-hidden-figures-of-bengals-shapeshifting-bohurupi-tradition</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-05/2sv7fo0u/GroupphotographofMunmunBairagyaandBandanaChowdhuryByadh2CdressedastheHindugoddessDurgaandTiger2CDurgaE28099sVahana.NearMayurakshiRiver2CnearKhapiMaaKaliMandir2CoutsideBishaypur2CBirbhum2CWestBengal2C.png</image:loc>
<image:caption>Group photograph of Munmun Bairagya and Bandana Chowdhury Byadh, dressed as the Hindu goddess Durga and Tiger, Durga’s Vahana. Near Mayurakshi River, near Khapi Maa Kali Mandir, outside Bishaypur, Birbhum, West Bengal, India</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/dd2wj9ks/ShrabanaDas007.jpg</image:loc>
<image:caption>Photograph of Prarthana Chowdhury Byadh, Baishakhi Chowdhury Byadh, Sumon Chowdhury Byadh, son of Prarthana, dressed as Putana Rakshasi, Swetkali,Hanuman (from left to right).</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/9kpy5bn9/ShrabanaDas011.jpg</image:loc>
<image:caption>Group photograph of Munmun Bairagya and Bandana Chowdhury Byadh, dressed as the Hindu goddess Durga and Tiger, Durga’s Vahana. Near Mayurakshi River, near Khapi Maa Kali Mandir, outside Bishaypur, Birbhum, West Bengal, India.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/nfga79a9/ShrabanaDas002.jpg</image:loc>
<image:caption>Portrait of Puja Mandal, dressed as a Deer adorned with this beautiful costume and mask, in Bishaypur.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/o61fl3ex/ShrabanaDas001.jpg</image:loc>
<image:caption>Portrait of Puja Mandal, dressed as a Deer adorned with this beautiful costume and mask, in Bishaypur.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T11:15:00.000Z</news:publication_date>
<news:title>Shrobona Das Photographed The Hidden Figures Of Bengal’s Shapeshifting Bohurupi Tradition</news:title>
<news:keywords>Bohurupi tradition, Shrobona Das, folk art, Bishaypur village, women performers, cultural legacy, archival gaps, speculative storytelling, masks and costumes, Hidden Artist Residency, oral histories, multidisciplinary art, identity transformation, collaborative embroidery, folk artist recognition, Bishaypur artists, hidden figures, costumes masks, rural thespians, identity visibility</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/beauty-x-brutalism-kala-ghoda-welcomes-amit-aggarwals-expansive-new-couture-destination</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-05/3iz69vr6/AmitAggarwal3.png</image:loc>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/5574ro8l/Amit-Aggarwal-Kala-Ghoda-Store-2.jpg</image:loc>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/5u201mh6/Amit-Aggarwal-Kala-Ghoda-Store-5.jpg</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T11:00:00.000Z</news:publication_date>
<news:title>Beauty x Brutalism: Kala Ghoda Welcomes Amit Aggarwal’s Expansive New Couture Destination</news:title>
<news:keywords>Amit Aggarwal, Kala Ghoda, flagship store, Mumbai fashion, couture, Thotpot Designs, retail expansion, heritage building, immersive shopping, AM.IT, sculptural design, luxury retail, biomimetic forms, fashion district, conceptual anchor, luxury shoppers, architectural space, signature emblems, couture designs, luxury fashion, AM.IT line, Mumbai shopping, couture fashion, heritage design, sculptural crests, designer store</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-supply/the-humble-paduka-gets-a-mythological-maximalist-makeover-in-two-ats-latest-drop</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-05/svrez2rt/pdk2.png</image:loc>
<image:caption>In a contemporary reimagining of the sandal, Two Até brings the traditional Paduka into the world of statement footwear, keeping its open-foot silhouette and wooden base while giving the design a more metallic embellishment.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T08:15:00.000Z</news:publication_date>
<news:title>The Humble Paduka Gets A Mythological Maximalist Makeover In Two Até’s Latest Drop</news:title>
<news:keywords>Paduka, Two Até, Indian footwear, statement shoes, wooden sandals, embellished design, Indian mythology, eco-friendly, body art, fashion-forward, gold-toned bells, mehendi patterns, painted skin, Ndebele art, sustainable fashion, Two Até brand, Indian footwear brands, Indian brands, Indian footwear brand, Two Até latest drop, Two Até latest collection, Two Até statement footwear, Two Até statement footwear India, Statement footwear, India, Statement footwear in India, Editorial, fashion editorial</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/ariba-akhlaque-uses-objects-material-to-navigate-grief-memory-the-notion-of-home</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-05/k80wk6rm/arb.png</image:loc>
<image:caption>Drawing from personal history and family archives, Ariba explores grief, nostalgia, home, and the emotional significance of objects.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-01/dd0ke362/arb4.png</image:loc>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-01/yjkyvtmc/arb3.png</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T08:00:00.000Z</news:publication_date>
<news:title>Ariba Akhlaque Uses Objects &amp; Material To Navigate Grief, Memory, &amp; The Notion Of Home  </news:title>
<news:keywords>Ariba Akhlaque, multidisciplinary artist, Karachi artist, personal archives, grief art, nostalgia, family history, photography, printmaking, jewellery design, metalwork, emotional objects, South Asian heritage, memory preservation, Creation in Translation, Ariba Akhlaque Pakistan, Ariba Akhlaque Pakistani artist, Ariba Akhlaque Artist Pakistan, Ariba Akhlaque South Asian artist, Ariba Akhlaque visual art, Ariba Akhlaque jewellery, Ariba Akhlaque photography, Ariba Akhlaque exhibitions, Ariba Akhlaque visual, art, and media, Ariba Akhlaque jewelry design, Ariba Akhlaque projects, Ariba Akhlaque visual projects, Karachi artists, archival images, archival material, archival material art, archival artist, archival visual art, new media, new media artists, South Asian artists working with nostalgia</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-explore/from-bees-to-beetles-bugs-celebrates-the-tiny-creatures-that-hold-our-world-together</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-10-04/0kd0ild0/YouTube.png</image:loc>
<image:caption>BUGS! We're All Connected is an exhibition that brings together 15 visual artists from across India, each creating a new artwork inspired by the often-overlooked world of insects.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-10-05T08:00:00.000Z</news:publication_date>
<news:title>From Bees To Beetles: BUGS! Celebrates The Tiny Creatures That Hold Our World Together</news:title>
<news:keywords>insect exhibition, Indian artists, BUGS! Connected, ecosystem role, limited prints, tactile designs, musical score, insect art, food chains, pollination, Indian cities, nature sounds, art collectors, insect curiosity, gallery wall, delhi exhibitions, homegrown illustrators, homegrown artists, soundscape installation, ecological storytelling, visual artists India, biodiversity, sustainability through art</news:keywords>
</news:news>
</url>
</urlset>