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<url>
<loc>https://homegrown.co.in/homegrown-creators/rebles-latest-single-turns-the-praying-mantis-into-a-metaphor-for-survival</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-15/qwhlyyg9/5.png</image:loc>
<image:caption>Beyond the lyrics, the music video for Reble’s Praying Mantis expands the song’s emotional and political tension through a deliberately chaotic, almost fever-dream-like visual language.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-15T09:30:00.000Z</news:publication_date>
<news:title>Reble's Latest Single Turns The Praying Mantis Into A Metaphor For Survival</news:title>
<news:keywords>Reble Praying Mantis, Reble new single, Praying Mantis song meaning,  Reble music video,  independent music India,  Shillong music scene, Reble artist analysis,  praying mantis metaphor, song symbolism, alternative hip hop India, female rappers, music video analysis,  Indian independent artist, protest music, artistic survival, exploitation in music industry, music and identity,  underground music India, rebellious music,  artistic survival, symbolism in music, Shillong artist,  music criticism, cultural music analysis, alternative rap India</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/indian-label-acid-moons-is-bringing-bengals-phulia-weaving-heritage-to-modern-fashion</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/p8v1jqxv/CourtesyofAcidMoons2.png</image:loc>
<image:caption>The story of Phulia is also the story of the subcontinent itself: of arbitrary borders drawn through living cultures, of communities uprooted, displaced, and remade a shadow of their former selves, and of knowledge surviving in the hands of artisans.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-13/yg5zegof/handloom-linen-2.JPG</image:loc>
<image:caption>The Phulia cooperative represents a community of weavers whose families crossed from Tangail into West Bengal.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/p16jaond/handloom-linen-acid-moons-pieces1.JPG</image:loc>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/refaqdx3/handloom-linen-1.JPG</image:loc>
<image:caption>The process begins even before weaving starts. The linen yarn travels from another village several hours away before reaching Phulia’s looms, where a single artisan spends nearly an entire day weaving around four metres of fabric — enough for roughly one and a half shirts.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/bmolucvw/handloom-linen-acid-moons-pieces8.JPG</image:loc>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/7tuapd2g/handloom-linen-acid-moons-pieces.JPG</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-14T11:25:00.000Z</news:publication_date>
<news:title>Indian Label Acid Moons Is Bringing Bengal’s Phulia Weaving Heritage To Modern Fashion</news:title>
<news:keywords>    Acid Moons,     Kareena Oberoi,     Phulia weaving,     Tangail saree,     Tangail weaving,     Bengal handloom,     handloom linen,     contemporary Indian fashion,     Indian womenswear,     Phulia cooperative,     Bengal textile heritage,     Dhaka muslin,     muslin history,     Indian craft traditions,     sustainable fashion India,     handloom fashion,     Bengal weaving traditions,     Indian textile history,     Partition migration,     Bangladesh Liberation War,     linen fashion India,     contemporary craft fashion,     artisanal fashion India,     Shantipur weaving,     slow fashion India</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/from-movers-shakers-to-the-week-that-wasnt-the-history-of-indian-late-night</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/ruf5h0c7/4.png</image:loc>
<image:caption>As Stephen Colbert’s late-night era comes to an end, this piece turns homeward to examine India’s complicated and fragmented relationship with late-night television.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/lsjeq3kt/5.png</image:loc>
<image:caption>Premiering in the late 1990s and hosted by Shekhar Suman, the show felt refreshingly unlike most Indian television of its time.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-14T11:00:00.000Z</news:publication_date>
<news:title>From 'Movers &amp; Shakers' To 'The Week That Wasn't': The History Of Indian Late Night</news:title>
<news:keywords> Indian political satire,  Late-night television India, John Oliver,  Stephen Colbert , Indian late night shows,  Abhigyan Prakash, Sumeet Raghavan, JayHind! , Shekhar Suman , Movers &amp; Shakers , Political satire India, Indian comedy shows ,  Cyrus Broacha , The Week That Wasn’t,  The Daily Show, Satirical comedy India, Indian television history ,  On Air with AIB, The Deshbhakt, Akash Banerjee ,  Late night comedy,  Satire in India, Indian media criticism, All India Bakchod , Jaane Bhi Do Yaaro</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-voices/q-manivannan-an-openly-queer-non-binary-indian-just-got-elected-to-scottish-parliament</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/ko27sxg3/5.png</image:loc>
<image:caption>The election of Q Manivannan to the Scottish Parliament marks a significant political moment, as they are an openly queer, non-binary immigrant elected without British citizenship or permanent residency.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/3f6t0mku/6.png</image:loc>
<image:caption>In recent years, anti-immigration rhetoric has intensified, fuelled by anxieties around migration and the rise of right-wing populist politics.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-14T10:30:00.000Z</news:publication_date>
<news:title>Q Manivannan, An Openly Queer, Non-Binary Indian Just Got Elected To Scottish Parliament</news:title>
<news:keywords>Indian-origin politician UK, Indian politician Scotland , Q Manivannan , Scottish Parliament , Scotland politics,  queer politicians, immigration debate, UK Brexit , Scottish Greens , immigration , LGBTQ+ politics, non-binary politician,  Scottish election law,  nationals election Scotland,  Scotland foreign nationals,  Indian diaspora politics,  immigration politics, Holyrood election,  political participation immigrants, citizenship and democracy, foreign political involvement, India and foreign political involvement, CAA protests reaction, farmers protest response, immigration and identity UK, political belonging , democracy and citizenship, q manivannan scottish greens</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/on-the-grid-music-motion-street-culture-through-an-anonymous-video-creators-lens</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/r66ju6oq/trfl1.png</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-14T10:15:00.000Z</news:publication_date>
<news:title>On The Grid: Music, Motion, &amp; Street Culture Through An Anonymous Video Creator’s Lens</news:title>
<news:keywords>Montage theory, Soviet montage theory, Soviet montage theory now, Soviet montage theory in video editing, Video editing, Video editors, Video editors India, Video creators, Creative videos, Creative music videos, Video edits, Video edits Instagram, Creative video edits, Instagram, Instagram creators, Instagram creators India, Instagram video creators, Instagram videographers, Videographers, Videographers India, Creative storytelling through video, Storytelling through video, Creative video editing, Creative video editors, @trufflefriesandcholula3, @trufflefriesandcholula3 Instagram, Video content, Instagram, Cool video editors Instagram, Instagram artists, Artists on Instagram, Indian video artists, Video artists India, Video creators from India</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/mehar-malhotras-cannes-selected-short-examines-the-scarcity-of-rest-under-capitalism</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/7r6qlrz1/smn3.png</image:loc>
<image:caption>Selected for the La Cinef section at Cannes Film Festival, the short film moves through insomnia, alienation, economic vulnerability, and dissociation, framing rest itself as something inaccessible within systems built around constant productivity and survival.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/psuijf8f/smn2.png</image:loc>
<image:caption>A still from 'Shadows of the Moonless Nights' by Mehar Malhotra</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/u41q3lu0/smn.png</image:loc>
<image:caption>A still from 'Shadows of the Moonless Nights' by Mehar Malhotra</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/87jkqmf1/smn1.png</image:loc>
<image:caption>A still from 'Shadows of the Moonless Nights' by Mehar Malhotra</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/r5xm8fju/smn4.png</image:loc>
<image:caption>A still from 'Shadows of the Moonless Nights' by Mehar Malhotra</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-14/s5vp3l69/smn5.png</image:loc>
<image:caption>A still from 'Shadows of the Moonless Nights' by Mehar Malhotra</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-14T08:15:00.000Z</news:publication_date>
<news:title>Mehar Malhotra’s Cannes-Selected Short Examines The Scarcity Of Rest Under Capitalism</news:title>
<news:keywords>Short film, Indian short film, New Indian short films, Indian short films, Cannes, Cannes film festival, Cannes film festival 2026, Cannes film festival, Indian selection, India at Cannes 2026, Indian films selected for Cannes film festival, Indian films selected for Cannes festival, Indian short films select selected at Cannes, Indian films Cannes, Indian short films at Cannes, Mehar Malhotra, Shadows of the moonless nights, Shadows of the moonless nights short film, Shadows of the moonless nights Mehar Malhotra, Mehar Malhotra shadows of the moonless nights, Rest under capitalism, Capitalism, Rest and capitalism, Rest in capitalism, Modern world, Labour, Working class</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-explore/serendipity-arts-is-bringing-giant-puppets-experimental-cinema-to-london-this-june</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-13/mnu8v3t6/2-7.png</image:loc>
<image:caption>Serendipity Arts is bringing two striking interventions to South Kensington and the Science Museum this June, transforming public space and museum architecture into sites of movement, music, and collective gathering.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-13/48k5x0px/Eye-shall.jpg</image:loc>
<image:caption>On June 5, the Science Museum’s adults-only Innovation Lates will host the premiere of ‘नैनन की ठगी’ (Eyes Shall Deceive), directed by Sneha Khanwalkar and visual artist Sudarshan Shetty.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-05-13/eqqe9r8z/smgiantsonthemoveapuppetstreetparade.jpg</image:loc>
<image:caption>‘Giants on the Move: A Puppet Street Parade’ is a large-scale procession directed by legendary Indian puppeteer Dadi Pudumjee.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-05-13T12:35:00.000Z</news:publication_date>
<news:title>Serendipity Arts Is Bringing Giant Puppets &amp; Experimental Cinema To London This June</news:title>
<news:keywords>    Serendipity Arts,     Great Exhibition Road Festival,     Science Museum Lates,     London art events 2026,     Dadi Pudumjee,     Sneha Khanwalkar,     Sudarshan Shetty,     Indian contemporary art,     puppet parade London,     immersive cinema London,     16mm film installation,     Indian puppetry,     South Kensington events,     Exhibition Road Festival,     live music performance London,     Indian artists in London,     experimental film India,     public art London,     Science Museum London events,     giant puppets parade,     Serendipity Arts London,     Eyes Shall Deceive,     Giants on the Move,     Indian cultural events UK,     interdisciplinary art performance</news:keywords>
</news:news>
</url>
</urlset>