<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:news="http://www.google.com/schemas/sitemap-news/0.9" xmlns:xhtml="http://www.w3.org/1999/xhtml" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9">
<url>
<loc>https://homegrown.co.in/homegrown-creators/roti-watch-a-grandmothers-recipe-becomes-a-lens-into-identity-aging-belonging</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/fefcxbhd/inside-avani’s-tote-bag-aka-her-mind-63.png</image:loc>
<image:caption>The short documentary Roti, follows Grandma Krishna, whose recipes, shaped by a life spanning British India to England, are being preserved by her grandson.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-03T08:28:50.899Z</news:publication_date>
<news:title>Roti: Watch A Grandmother’s Recipe Become A Lens Into Identity, Ageing, &amp; Belonging</news:title>
<news:keywords>grandmother stories, intergenerational storytelling, elderly loneliness India, food and memory, Indian family traditions, preserving recipes, cultural heritage India, roti documentary, short film roti, grandma recipes, migration and identity, food as archive, Indian diaspora stories, kitchen storytelling, women and aging, elderly independence, community living seniors, Indian food culture, memory and migration, storytelling through food, preserving oral traditions, family and food, heritage preservation, Indian grandmother recipes, Indian grandmothers</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-voices/johan-zoffany-last-supper-kolkata-st-johns-church</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/1t80it0i/Left-Johann-Zoffany-Right-Zoffany’s-‘The-Last-Supper’</image:loc>
<image:caption>Left: Johann Zoffany, Self-Portrait (c. 1776); Right: Zoffany’s ‘The Last Supper’ (1787)</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/rc3i1h19/St.JohnsChurchatHastignsStreetKolkata.JPG</image:loc>
<image:caption>The historic St. John’s Church is one of the oldest public buildings in Kolkata.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/kpn0wm6k/ksp4503.jpg</image:loc>
<image:caption>The Last Supper by Johan Zoffany (1787)</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/oczo4n5c/ksp4503.jpg</image:loc>
<image:caption>The paraphernalia is also unmistakably Indian, such as a water ewer that resembles an 18th-century Hindustani spittoon and a leather water bag colloquially known as ‘pakhlior’, ‘mashki’, or ‘mashaq’.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/xxsl83da/ColonelMordaunt’sCockMatch.jpg</image:loc>
<image:caption>Colonel Mordaunt’s Cock Match (1788) by Johan Zoffany, Oil painting, 150 cm × 104 cm (59 in × 41 in), currently in Tate Britain, London</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/a5ejaecm/Self-portraitwithHourglassandSkullbyJohannZoffany.jpg</image:loc>
<image:caption>Johann Zoffany, Self-portrait (c. 1776)</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-03T03:00:00.000Z</news:publication_date>
<news:title>The Last Supper In Kolkata: A Brief History Of A Scandalous Masterpiece</news:title>
<news:keywords>johan zoffany, last supper kolkata, st john’s church kolkata, colonial calcutta art, british india painting, zoffany india, historic churches kolkata, kolkata heritage art, 18th century indian art, colonial satire art, warren hastings patronage, royal academy artists, baroque chiaroscuro painting, indian elements in european art, calcutta british elite history, zoffany last supper controversy, indian christian art history, colonial portraiture india, hidden art kolkata, kolkata historical landmarks, church art india, european artists in india, intach restoration kolkata, goethe institute india restoration, calcutta cultural history, Jesus Christ, The Last Supper, Good Friday, Calcutta Christian History</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/inside-silly-work-an-editorial-series-where-colour-chaos-corporate-come-together</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/l6c2r5qy/6.png</image:loc>
<image:caption>Challenging hustle culture, the series uses colour, structured silhouettes, and outdated office props to reflect the tension between conformity and self-expression.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/92zvlum1/4.png</image:loc>
<image:caption>Colour in the lookbook, becomes more than just an act of resistance.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/anqqvoqi/5.png</image:loc>
<image:caption>The inclusion and placement of outdated office equipment like a typewriter or older versions of the telephone, introduce a pointed commentary on the persistence of legacy work cultures</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-02T09:45:00.000Z</news:publication_date>
<news:title>Inside 'Silly Work', An Editorial Series Where Colour, Chaos, &amp; Corporate Come Together</news:title>
<news:keywords>Gen Z, Gen Z work culture, hustle culture, workplace identity, Gen Z ambition, anti hustle movement, work life balance, productivity culture critique, modern workplace aesthetics, youth identity crisis, creative resistance, fashion lookbook concept, corporate culture , mental health and work, boundaries at work, workplace individuality, visual storytelling, fashion storytelling, labour culture shift, contemporary youth culture, anti productivity movement, identity and labour, creative direction India, fashion as commentary, modern work narratives</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-voices/nettur-petti-how-a-timeless-homegrown-jewellery-box-endures-in-an-ever-changing-world</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/4xfu42lt/6.png</image:loc>
<image:caption>The Nettur Petti, a traditional wooden jewellery box from Kerala, reflects a legacy of precise craftsmanship and cultural heritage.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/k05rto30/5.png</image:loc>
<image:caption>These boxes are made using mahogany, rosewood and other locally sourced woods.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/aw60j7bs/4.png</image:loc>
<image:caption>Among the most prominent artisans are brothers V. V. Suresh Kumar and V. V. Ramesh Kumar, third-generation craftsmen based in Thiruvananthapuram.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-02T09:40:00.000Z</news:publication_date>
<news:title>Nettur Petti: How A Timeless Homegrown Jewellery Box Endures In  An Ever-Changing World</news:title>
<news:keywords>Nettur Petti, Kerala handicrafts, traditional jewellery box , Nettur box history, Kerala artisans, wooden jewellery box India, Indian craft heritage, Ernakulam crafts, handcrafted wooden boxes, brass inlay craft Kerala, Indian traditional storage, Kerala mural inspired designs, Indian artisanal work, heritage crafts India, dying crafts India, sustainable crafts Kerala, handmade wooden boxes, Indian design traditions, craft revival India, homegrown artisans, Kerala cultural heritage, luxury handmade boxes, Indian handicraft industry</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-voices/god-of-the-little-road-the-life-legacy-of-author-bibhutibhushan-bandyopadhyay</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/g498dglb/CourtesyofKCC3.png</image:loc>
<image:caption>A landmark exhibition curated by the author’s grandson reveals the man behind the literary legend.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/rz32j53o/Image-8-Pather-Debota.jpg</image:loc>
<image:caption>Enlargement of an archival family photograph. Bibhutibhushan is standing on the right, hands at his hips. Currently on display at the KCC as part of the exhibition ‘পথের দেবতা – God of the Little Road’.</image:caption>
</image:image><image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-01/75cwte2e/Image-7-Pather-Debota58.jpeg</image:loc>
<image:caption>Installation view of ‘পথের দেবতা – God of the Little Road’ at the KCC.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-02T09:30:00.000Z</news:publication_date>
<news:title>God Of The Little Road: The Life &amp; Legacy Of Author Bibhutibhushan Bandyopadhyay</news:title>
<news:keywords>Bibhutibhushan Bandyopadhyay, Satyajit Ray, Pather Panchali novel, Apu Trilogy, Bengali literature, Aranyak analysis, Chander Pahar, Ashani Sanket, Bengal famine literature, Indian literary classics, Gram Bangla, Bengali novels, Indian authors, climate fiction India, forest writing India, rural Bengal writing, Bengali culture, Signet Press, D.K. Gupta, Aam Aatir Bhepu, Indian cinema adaptations, literary adaptations India,  Bengali modernism, Indian literary history, Homegrown India</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/documentary-i-see-myself-in-you-explores-punjabi-immigrant-life-belonging-in-brampton</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/rgn3szv7/brm.png</image:loc>
<image:caption>Through conversations with its residents, the film examines belonging, cultural continuity, and the tensions within immigration discourse.</image:caption>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-02T09:20:00.000Z</news:publication_date>
<news:title>Documentary ‘i see myself in you’ Explores Punjabi Immigrant Life &amp; Belonging In Brampton</news:title>
<news:keywords>Amreen Kullar, Amreen Kullar canada, Amreen Kullar filmmaker, Amreen Kullar documentary, Amreen Kullar films, Amreen Kullar , Amreen Kullar i see myself in you, Punjabi community, Punjabi community in Canada, Punjabi's in Canada, Brampton Canada, Punjabi community in Brampton, Punjabi is in Brampton, Punjabi's in Brampton Canada, South Asian Diaspora, Punjabi Diaspora, Punjabi Diaspora in Canada, Punjabi Diaspora in Brampton, Brampton stories, Films on Brampton, Films on immigration, Immigration discourse, Immigration Canada, Immigration politics, Immigration stories, Belonging, South Asian filmmaker, South Asian film makers, Upcoming South Asian filmmakers, Punjabi films, Documentary, Indian documentary, South Asian documentary</news:keywords>
</news:news>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/how-coonoor-co-works-with-artisans-in-the-nilgiris-to-develop-craft-based-products</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-04-02/sep7pfpd/cc.png</image:loc>
</image:image><news:news>
<news:publication>
<news:name>Homegrown</news:name>
<news:language>en</news:language>
</news:publication>
<news:publication_date>2026-04-02T09:15:00.000Z</news:publication_date>
<news:title>How Coonoor &amp; Co Works With Artisans In The Nilgiris To Develop Craft-Based Products</news:title>
<news:keywords>Connoor &amp; Co, Connoor &amp; Co India, Connoor &amp; Co publication, Connoor &amp; Co journal, Connoor &amp; Co craft, Connoor &amp; Co nilgiris, Connoor &amp; Co craft India, Connoor &amp; Co Ramya Reddy, Connoor &amp; Co collective, Toda women, Toda craft, Toda embroidery, Toda community, Toda women Nilgiris, Toda craft India, Toda culture India, Toda textiles India, Indian regional textile craft, Toda textile craft, Regional textile craft India, Textile archives, Archives India, Regional art archives India, Artisans India, Objects and textiles, Objects and textiles India, Regional crafts in India</news:keywords>
</news:news>
</url>
</urlset>