<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:video="http://www.google.com/schemas/sitemap-video/1.1" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9">
<url>
<loc>https://homegrown.co.in/homegrown-explore/fresh-cargo-is-bringing-global-sounds-vinyl-subculture-community-to-the-humming-tree</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/h5gaxbsn/inside-avani’s-tote-bag-aka-her-mind-83.png</image:loc>
<image:caption><![CDATA[ Fresh Cargo, a new initiative by On the Jungle Floor, debuts at The Humming Tree on World Music Day with a day-long celebration of music.]]></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T13:40:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/the-legacy-of-naxalbari-lives-on-in-sumit-kumars-dark-satirical-graphic-novel</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/zzvo2v92/nxl.png</image:loc>
<image:caption><![CDATA[ The storytelling draws heavily from George Orwell's Animal Farm, with farm animals and political caricatures appearing throughout the narrative.]]></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T11:15:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/the-many-lives-of-kabir-suman-music-journalism-politics-protest</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/qfrgql7q/hbbthdnaxd-1672902032.jpg</image:loc>
<image:caption><![CDATA[ Kabir Suman and Pete Seeger performed together in Kolkata in 1996]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/qh46z8cr/KCC.png</image:loc>
<image:caption><![CDATA[ Kabir Suman brought together journalism, poetry, and music to create a new language for modern Bengali songwriting]]></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T11:15:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/inside-a-bengaluru-playground-for-experimental-sound-new-media-creative-collaboration</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/37bi191m/wkn2.png</image:loc>
<image:caption><![CDATA[ The non-profit, artist-run studio focuses on new media, art and technology, and collaborative forms of artistic practice.]]></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T11:10:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-voices/the-boatman-the-dyer-the-neighbour-how-south-asian-mystic-poets-made-god-a-familiar-figure</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/ms35tpl4/KrishnawelcomingSudama2Cfroma17th-centuryBhagavataPuranafolio-GoogleArtProject.png</image:loc>
<image:caption><![CDATA[ By using familiar everyday archetypes such as the divine dyer (Rangrez), the boatman (Majhi), and the street performer (Madari), these songs bring the sacred into the ordinary routines of human life. ]]></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T10:40:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-creators/studio-mediums-new-collection-explores-roots-soil-south-asian-textile-traditions</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-13/o61m5677/MJ-69.jpg</image:loc>
<image:caption></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-13/yzx0mn9t/MJ-32.jpg</image:loc>
<image:caption></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-13/s5hk35nh/MJ-33.jpg</image:loc>
<image:caption></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-13/ty1dcuj0/MJ-53.jpg</image:loc>
<image:caption></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/gjyyb3n1/StudioMedium2.png</image:loc>
<image:caption></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T09:00:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-supply/3-homegrown-collectives-turning-plain-homes-into-personal-wall-art-galleries</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-12/voe2dotn/7.png</image:loc>
<image:caption><![CDATA[ The art we choose to hang on our walls says as much about us as the furniture we collect or the books we display.]]></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T08:40:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-explore/inside-translations-by-siyahi-indias-first-writers-retreat-for-literary-translation</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-12/wurlbcqp/image-2.jpg</image:loc>
<image:caption></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-12/dtp2hthg/image-1-2.jpg</image:loc>
<image:caption></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/fo17yey7/1-12.png</image:loc>
<image:caption></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T08:30:00.000Z</lastmod>
</url>
<url>
<loc>https://homegrown.co.in/homegrown-explore/the-meeting-ground-knma-takes-over-christies-london-for-a-survey-of-south-asian-art</loc>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/5uq56qm6/4.jpg</image:loc>
<image:caption><![CDATA[ MF Husain, Birds in a tree, 1973, Oil on canvas, 116.5 x
175.5 cm (45.9 × 69.1 in.).
Collection: Kiran Nadar Museum of Art (KNMA).
]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/sn1qbjlr/1.jpg</image:loc>
<image:caption><![CDATA[ Raqib Shaw, When the Thing with Feathers Turned Red
(after Tintoretto), 2021-2022, Acrylic liner and enamel
on birch wood, 79 x 60 cm, (31.1 x 23.6 in.).
Collection: Kiran Nadar Museum of Art (KNMA).]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/7nqwabiy/2.jpg</image:loc>
<image:caption><![CDATA[ Gauri Gill and Rajesh C. Vangad, Factory and River II
(From the series Fields of Sight), 2014-2016, Ink on
archival pigment print,
110 x 158 cm (43.3 x 62.2 in. ).
Collection: Kiran Nadar Museum of Art (KNMA).
]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/ai30kqp3/8.jpg</image:loc>
<image:caption><![CDATA[ Zarina,Mapping the Dislocations, 2001, Pen and ink on
paper, 29 × 106.5 cm (11.4 × 41.9 in.).
Collection: Kiran Nadar Museum of Art (KNMA).]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/0hgn3w7z/6-.jpg</image:loc>
<image:caption><![CDATA[ Jivya Soma Mashe, Untitled,1990, Rice paste and
cowdung on paper, 58.4 x 91 cm (23 x 35.8 in. ).
Collection: Kiran Nadar Museum of Art (KNMA).
]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-14/hcuh5jan/10.jpg</image:loc>
<image:caption><![CDATA[ Zainul Abedin, Fishermen, 1970, Oil on canvas, 103.7 x
77.5 cm, (40.8 x 30.5 in.).
Collection: Kiran Nadar Museum of Art (KNMA).
]]></image:caption>
</image:image>
<image:image>
<image:loc>https://media.assettype.com/homegrown/2026-06-15/vkpm1vz9/LeftAnwarJalalShemza2CSquareComposition22C19633BRightZainulAbedin2CFishermen2C19702COiloncanvasKNMA.png</image:loc>
<image:caption></image:caption>
</image:image>
<changefreq>hourly</changefreq>
<lastmod>2026-06-15T08:30:00.000Z</lastmod>
</url>
</urlset>