HGVOICES

Baring Bones: The 2 Sides of Contemporary Indian Artwork

Admin
bone2
bonesetters1
The ‘Bone’ Identity
She takes a deep drag of her cigarette before attempting to answer ‘Why bones?’
And what of the rigorous research process that followed?
Upadhya Crafts A Ceramic Sculpture of the Pelvic Bone

Apparently there’s no need for an answer to my question anymore. Even with her rooted choice of theme, it’s clear that Niyati is not intimidated by technology or the evolution of mediums in art. In fact, if anything, she’s as neoteric as they come.

So is it true? Are young Indian artists today eager trying to have a conversation about their roots in a contemporary language the world understands?
A Common Theme
vibhagalhotra
bhartikher
subodhgupta
Tall Tales
Words: Mandovi Menon
Images: Niyati Upadhya

This Week In Culture: Sheherazaad’s ‘Khudgarzi’, In My Room In Kolkata, Otherland Galle, & More

On The Grid: Two Brown Cells’ Approach To 'Content' Feels Like A Conversation With A Friend

DAG’s 'City As A Museum' Returns To Kolkata Examining Art As A Form Of Cultural Resistance

We Were Here: The Uncs Strike Back In Pranav Bhasin’s Biting Satire Of The AI Era

Not Your Grandpa’s Calcutta: Ten Kolkata Bars & Restaurants On Our Radar This Festive Season