A Himanshi Handa Photoseries Unravels The Layers & Masks Of Human Attachment

Himanshi Handa is a homegrown writer, filmmaker, and photographer who has worked with brands such as Jaipur Rugs and Tata Capital. We recently caught up with her to find out more about her recent photoseries, which is a vivid exploration of the ever-changing dynamics of emotional attachment.

Tell us a little about this project.

For me, the idea to create this series was to explore the intricate dynamics of human connection between two people in love. I wanted to capture the essence of reliance on each other through intimacy, as well as the inevitable moments of conflict and pulling away. To me, love is not a constant state but an evolving and multifaceted experience.

The white flakes and paint on the subjects' bodies in these photographs symbolize the layers we place upon ourselves. Beneath these layers lies a different human, often hidden from view. I believe that, while we may strive to be completely ourselves with a partner, there is always a tendency to shield our true emotions. Through this series, I aim to reveal the delicate balance between vulnerability and self-protection in intimate relationships.

Describe your creative process and the purpose with which you create.

It all starts with a piece of imagination woven in my mind. Whether it's still or moving images, I draw a rough sketch of what I see/imagine, which becomes the root. From there, I gradually build a narrative before and after that image. For me, creating is a very personal indulgence; it's the possibility of bringing life to my imagination and exploring my creativity to it's maximum potential. It's almost meditative.

What are some of your biggest inspirations and influences over the course of your artistic career so far?

Human relationships and human behaviour, especially when people are taken out of their comfort zones. Apart from that, the way colours exist in most perfect palette in nature really fascinates me. I'm deeply interested in creating emotive abstract visuals and often draw inspiration from photography and mixed media works that use 'unusual' elements that take us away from reality. As I am growing older, I am also starting to notice my own emotional journey increasingly reflected in my works. Sometimes, I can look at an image and think, "Yes, this is what I feel."

What are some things you learned while putting this project together?

To keep taking care of the comfort of my subjects when using elements such as paints.

Who are some artists who are currently on your radar?

Marta Syrko for how she uses the human body in her photography and Kristian Schuller for their use of colours.

Tell us about a project you wish you were a part of.

A documentary called 'Human' by Yann Arthus-Bertrand.

You can follow Himanshi here.

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