Munem Wasif's Powerful Photoseries Captures The Organic & Inorganic Duality Of Dhaka

Belonging & Stereo
Belonging & StereoMunem Wasif
Published on
3 min read

Bangladeshi photographer Munem Wasif invites viewers on a captivating journey through Dhaka in two distinct bodies of work, Belonging (2001-2013) and Stereo. While seemingly contrasting in style, these series are presented together for a reason: to reveal the complex and ever-evolving soul of this dynamic city.

Belonging, a black and white series spanning over a decade, paints an intimate portrait of Dhaka as a living, breathing entity. Here, the bustling streets become a stage, and the city's inhabitants, the main characters. Wasif captures fleeting encounters, snippets of daily life, and moments of quiet intimacy. Over time, these fragments coalesce, revealing a city brimming with humanity, resilience, and a rich tapestry of stories.

Photos clicked in Dhaka by Munem Wasif as part of his photo series 'Belonging'
From the photo series 'Belonging'Munem Wasif
Photos clicked in Dhaka by Munem Wasif as part of his photo series 'Belonging'
From the photo series 'Belonging'Munem Wasif
Photos clicked in Dhaka by Munem Wasif as part of his photo series 'Belonging'
From the photo series 'Belonging'Munem Wasif

The series, Stereo, takes a sharp turn, shifting its focus to the inanimate objects that define Dhaka's contemporary landscape. Using vibrant colors and a near-abstract approach, Wasif explores themes of uniformity through the ubiquitous presence of mobile screens, overstuffed refrigerators, and the sterile precision of digital clocks. These images stand in stark contrast to the organic chaos of Dhaka's older neighborhoods, forcing us to confront the city's rapid modernization.

By presenting these two series side-by-side, Wasif invites us to consider the multifaceted reality of Dhaka. Belonging reminds us of the enduring spirit of its people and the deep well of history that flows through its streets. Stereo, on the other hand, compels us to confront the forces of globalization and technological change that are reshaping the city's very fabric. The juxtaposition allows us to witness the beautiful coexistence of tradition and progress, a delicate balance that defines contemporary Dhaka.

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The two bodies of works were juxtaposed at an exhibition organized by Project 88, an art gallery in Colaba, Mumbai in 2022. The masterful pairing transcends mere documentation. It becomes a poignant reflection on the human experience within a city in flux. We are left pondering the impact of modernization on our sense of belonging and the enduring power of human connection amidst a backdrop of constant change.

View the photoseries, 'Belonging & Stereo', in its entirety here.

Follow Munem Wasif here.

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