Imnaninla Jamir’s journey from a self-taught guitarist in Nagaland to becoming the first Indian female Ibanez endorsee marks a significant moment for Indian music. L-Eastern Music; R- Rolling Stones India
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From Nagaland to the World: Imnaninla Jamir Becomes First Indian Female Ibanez Endorsee

Imnaninla Jamir, the 'Guitar Queen of Nagaland', becomes the first Indian female Ibanez endorsee, spotlighting Northeast India’s rich rock legacy and reshaping the narrative of Indian music on a global stage.

Avani Adiga

Imnaninla Jamir’s journey from a self-taught guitarist in Nagaland to becoming the first Indian female Ibanez endorsee marks a significant moment for Indian music. Known for blending high-energy rock with traditional Naga influences, her artistry carries both technical precision and cultural depth. Her rise not only highlights her individual talent but also draws attention to the Northeast’s long-standing yet underrepresented legacy in rock and guitar-driven music.

Imnaninla Jamir, often referred to as the 'Guitar Queen of Nagaland' has become the first Indian female artist to be an official endorsee of Ibanez, joining its worldwide community of musicians. Ibanez is a Japanese guitar brand known for backing some of the greatest guitarists to have ever graced the instrument. From legendary guitarists like Steve Vai to modern day guitarists like Tim Henson and Scott LePage, Ibanez has an enduring legacy of supporting virtuoso musicians.

Hailing from Mokokchung, Nagaland, Imnaninla Jamir is known for blending rock with her traditional Naga influences. A self-taught guitarist, she began learning the instrument at the age of 12 from her brother. Jamir is the lead guitarist of the Naga band 'The Fantastic Company'. She gained widespread popularity after a video of her playing the Indian national anthem at Nagaland’s Hornbill Festival went viral.

Jamir stands apart, however, not only by her technical skills but also the emotional and cultural depth she brings to her music. Her playing includes her high-energy rock riffs and nuanced melodic phrasing, reflecting both her exposure to global guitar traditions and her rootedness in Naga musical sensibilities. There is a distinct storytelling quality to her performances that feels very singular.

Indian art, especially music, is often framed through a narrowly defined regional lens, where a few dominant cultural centres tend to shape what is considered “mainstream” And because of this framing, the Northeast has frequently been treated as peripheral, its contributions acknowledged sporadically rather than as part of a sustained and influential legacy. Yet, for decades, the northeastern states have cultivated a rich, deeply rooted musical culture, particularly when it comes to live music, rock, and guitar-driven genres.From pioneering rock icon Lou Majaw, often called the “Bob Dylan of the Northeast,” to blues legend Rudy Wallang of Soulmate, the region has long nurtured distinctive guitar-driven sounds. 

And by fortifying her position as a woman guitarist in a field often dominated by men, and as an artist from Nagaland navigating national and global platforms, Imnaninla Jamir challenges preconceived ideas about who occupies space in Indian music. With this Ibanez endorsement, Jamir is showing national and international audiences what Indian rock can look and sound like.

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