- HOMEGROWN WORLD
- #HGCREATORS
- #HGEXPLORE
- #HGVOICES
- #HGSHOP
- CAREERS
- ABOUT US
- CONTACT US
On September 5, Bengaluru's Bangalore Design Centre will host '100ಕು100: Mil Baatko Bombat', a community-driven celebration of Dakhni hip-hop organised by Dakhnistan Studios, curated by Clan Bokka Phod, and powered by Wanandaf. Inspired by J. Cole's 'Dollar and a Dream' concerts, the ₹100-entry event aims to make hip-hop culture accessible through live performances, visual art, and community gathering. Rooted in the linguistic and cultural heritage of Dakhni, the event represents the next chapter in a movement led by Neelasandra-based artists who have spent years building an independent ecosystem for the language and its stories through music.
On September 5th, Bangalore Design Centre will host something the city's underground hip-hop scene has been building toward for years: an event designed not just to showcase Dakhni hip-hop, but to give it a permanent sense of place. '100ಕು100: Mil Baatko Bombat', organised by Dakhnistan Studios, curated by Clan Bokka Phod (CBP), and powered by Wanandaf, is pitched as a ₹100-entry, all-in celebration of hip-hop culture — live performances, visual art, and community, under one roof.
The event draws explicit inspiration from J. Cole's Dollar and a Dream shows, low-cost, high-intimacy gigs built to strip away the barriers between the artist and teh audience, and from the immersive feel of listening-party culture more broadly. Applied to Bangalore's Dakhni scene, that model becomes an attempt to build an accessible, community-first space for a hip-hop subculture that has largely grown outside the mainstream industry's gaze, on its own terms and in its own tongue.
That tongue is Dakhni — a language born centuries ago under the Bahmani Kingdom and the Deccan Sultanates, a blend of Persian, Dehalvi, Marathi, Telugu and Kannada that still carries the linguistic fingerprints of that Deccan history. For a long time, Dakhni sat at the margins of Indian pop culture, often dismissed as a "broken" dialect rather than a language with its own literary and oral tradition. Clan Bokka Phod, formed by rapper Pasha Bhai and a tight circle of friends out of Neelasandra, Bengaluru set out to change that, using Dakhni as the actual vehicle for lyricism that draws on Sufi-inflected composition and hard-edged social commentary alike. Their aim is for the language and its artists to be perceived as something beyond a gimmick.
Dakhnistan Studios, the group's self-funded rooftop studio-turned-label in Neelasandra, is the physical anchor of all this. Built by around ten friends pooling resources, it's more than just a conventional label hosting a growing roster of rappers, poets, and producers working in the same space, giving them a launching pad and the space to explore their artistry in their language. The studio's earlier flagship event, 'Ghalata-e-Dakhnistan' already proved there was an audience willing to show up for Dakhni hip-hop at serious cultural venues, including Bangalore's Museum of Art & Photography.
100ಕು100 reads as the next stage of that same project, just bigger in ambition, and trying it's best to cement Namma Ooru as a real home for a subculture that's spent years building itself from the ground up.
Get your tickets here, and follow Dakhnistan Studios on Instagram here.
